A contradiction of the idea of preservation and that of loss. The artist, a kind of agent of chaos, produces copies, but instead of striving to encompass as much of a record as possible, he causes destruction. At the end of this simulative and deliberate process, the form disappears, and the viewer finds himself in a space of white light – an information totality.
The theme of the specific life of forms has long been central to Pavlin Radevski's work. He immerses heavy plastic volumes of cast iron in transparent resin, in which they sink into a light weightlessness.
The play with light and different shades in the color of the material further deprive the volumes of their physical weight and materiality.
